"Cylindrical Norman font on C19 moulded column and medieval octagonal base"

https://historicengland.org.uk/listing/the-list/list-entry/1241758 

DB 15 July 2018

The 12th century tub font has intersecting blank arcading on its sides.

May 2015

A circular font with four corner shafts dating from the Transitional period. An unusual design.

June 2017

The circular font dates from about 1200.

The four polygonal shafts at the corners have capitals with ribbed leaves, waterleaf and crockets.

September 2013

This fine 15th century octagonal font is, according to Simon Jenkins, ‘worth crossing Lincolnshire to see’.

Images carved on the faces include: a figure playing a stringed instrument, a hart licking the leaves of a tree growing from its back, and a Pieta.

May 2009

The sides of the early 13th century font are decorated with a variety of motifs –  flowers, circles and zig-zags.

September 2014

Pevsner describes the font at Benniworth as "Neo-Norman", presumably designed by Fowler for the Victorian restoration of the church.

July 2012

Octagonal font with quatrefoil and panelled decoration in the Perpendicular style.

October 2017

The square Norman font has been recut, and has decoration of the 17th century.

September 2014

"Ornate C15 octagonal font"

https://historicengland.org.uk/listing/the-list/list-entry/1147497 

DB 2 July 2018

The font is octagonal in shape, Perpendicular in style, with leaves and heads against the underside and simple tracery and the Instruments of the Passion against the bowl.

May 2016

Burgh-le-Marsh, has outstanding Jacobean woodwork in the pulpit, font cover & north chapel screen.

Mark Acton, 2008

The font is a plain octagonal bowl on a square base.

September 2016

"Font has C13 clustered columned base and C19 battered octagonal bowl with contemporary lid"

https://historicengland.org.uk/listing/the-list/list-entry/1308528 

DB 9 June 2018

"Romanesque drum font with scallop moulding above blind arcading of intersecting round arches on piers with foliate capitals; cylindrical pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1083706 

DB 17 June 2018

C14 font on a square base with an octagonal bowl.

Traceried windows in each panel. 

DB 14 March 2018 

The font dates from around 1200, much the earliest survival of the medieval church on this site.

It is circular on a square base with shafts at each corner. The faces of the bowl are lightly carved with a decorative frieze.

The base has been recently restored.

October 2016

"Font is C19 octagonal and chalice shaped"

https://historicengland.org.uk/listing/the-list/list-entry/1317320 

DB 25 April 2018

The medieval font in the church of All Hallows, Clixby.

Behind the font are pieces of a thirteenth century arch set in the wall.

May 2011

The plain cylindrical font at St Edith's.

June 2013

The drum shaped font is late Norman C11.

Metal basin dates from 1819 and was bought for 6s 6d. 

Font cover is modern 2009. 

DB 9 May 2018

The octagonal font has part fifteenth century stem with panels containing sacred symbols and floriate designs, and also twelfth century billet moulded blank arcading the panels filled with fleurons and trefoils.

Isaac Newton was baptised in this font January 1642.

March 2017

The stem of the octagonal font at Cowbit has traceried panels and a bowl with inscribed fleurons.

September 2017

This small plain octagonal font dates from the Perpendicular period.

June 2017

A simple circular font with octagonal rim.

March 2017

The large octagonal font has shields in simple panels and a bowl supported on busts.

May 2016

A simple octagonal font in Perpendicular style.

July 2011

The font in All Saints church dates from the Norman period.  It is drum shaped with intersecting tracery.

Mark Acton, 2014

The font in All Saints church dates from the Norman period.  It is drum shaped with intersecting tracery.

June 2014

The large circular tub font is early 12th century, and is decorated with blank arcading.

September 2014

"Early English tub-shaped font"

https://historicengland.org.uk/listing/the-list/list-entry/1061958 

DB 11 August 2018

Marble font presumably dating from the 1874-6 rebuild.

DB 25 June 2018

C19 font at west end of church.

DB 20 May 2018

The font in St Andrew's is from the Decorated period. It is a plain octagonal bowl with panelled sides.

October 2016

Of unknown origin, but presumably the base of the font pre-dates the present church (1800)?

August 2013

Very fine late Norman font about 1180.

DB 26 March 2018

Mid C18 Marble font.

Positioned opposite the pulpit. 

DB 19 June 2018

The octagonal font, with quatrefoils in the principal faces of the bowl, was originally in the church at Laughton.

July 2017

The large octagonal font dates from the Perpendicular period. There are various religious scenes on the stem and around the bowl.

The Gothic font cover is by Walter Topper, 1899.

March 2017

The octagonal font with its cusped panels and shields is Perpendicular work of the 14th or 15th century.

July 2014

A large octagonal font of unusual design with deeply incised carved decoration.

June 2017

"The fittings are all C19, including octaqonal font in C13 style with blank pointed arcades to base"

https://historicengland.org.uk/listing/the-list/list-entry/1359687 

DB 20 July 2018

Holy Trinity's font dates from the fifteenth century and is a simple octagonal shape on a shafted base.

January 2017

Norman bowl set on a modern square base.

Oak and wrought iron cover 1949. 

DB 11 April 2018

St Andrew's font is circular on a square base with four corner shafts.

June 2017

A relatively modern font, probably dating from the construction of the church in 1840.

September 2017

The font dates from the restoration of 1926 and incorporates cable moulding dating from the late Saxon or early Norman period.

May 2016

"C14 octagonal pedestal of font with traceried panels, each with trefoiled head and with angels and foliage in spandrels.

C15 octagonal font with symbols of the instruments of the Passion on each face"

https://historicengland.org.uk/listing/the-list/list-entry/1165999 

This font was where Michael Ramsey, subsequently 100th Archbishop of Canterbury, was baptised on 28th December 1904.

DB 5 May 2018

The fifteenth century font is octagonal with shields in pointed quatrefoils on the faces of the bowl.

June 2017

The octagonal font decorated with quatrefoils is 14th century.

July 2014

The font, an octgonal bowl on an octagonal stem, is plain and undecorated.

May 2016

The font - a hemispherical bowl on a single baluster shaft - dates from the eighteenth century.

May 2016

DB 2 May 2018

The font, made of marble, has with clean lines and modest decoration. It dates from 1901.

May 2016

The font dates from the early 1200s but the sides of the octagonal bowl were carved later - possibly in the sixteenth century - with unidentifiable scenes and figures.

June 2017

"the font is a recut of the original late C13 font and includes the original base.

It comprises an octagonal bowl with traceried panels on a square pedestal with engaged columns at the angles, on a stepped base"

https://historicengland.org.uk/listing/the-list/list-entry/1166212

DB 12 May 2018

The simple octagonal font probably dates from the Perpendicular 15th century period. Fitted steps indicate its unusual height.

Faces of the bowl carry faded lettering.

March 2017

St Helen's octagonal font dates from the Perpendicular period. It has simple panels with low, flat ogee arches and large finials.

April 2016

A simple but well-proportioned octagonal font with recessed panels on each face of the stem.

March 2016

A simple and unremarkable font, probably of the fifteenth century.

December 2017

A large octogonal font dating from the 1400s.

October 2017

Marble font and carved wooden font cover, dating from the 1891 rebuilding.

May 2010

The marble font - a square pillar with octagonal bowl and painted wooden ogee-shaped cover - is contemporary with the nave of 1722.

July 2011

The font in All Saints Church, Moulton, has a relief carving depicting the Baptism of Christ.

Flanking the stem of this "bulgy bowl" (Pevsner) are the figures of Adam and Eve.

It was made in 1719 by William Tydd.

Ken Redmore 2010

Smaller font in the foreground is Norman.

Baptistry under the tower contains a font exhibited in The Great Exhibition of 1851. This was subsequently donated to the church in 1876 by Charles Kirk.

DB 19 March 2018 

Closer view of the elaborate font by Chatles Kirk Junior, 1862.

November 2017

A relatively modern font (contemporary with the 1874 Fowler work?) with painted decoration.

April 2017

"The font is late C12 in the shape of a mortar with 4 vertical bands, one of which terminates in a shield; it stands on a C19 base"

https://historicengland.org.uk/listing/the-list/list-entry/1064189 

Pevsner suggests it is a re-used kitchen mortar. 

DB 20 May 2018

Plain font dating from C12. 

DB 26 March 2018

The font at St Peter's dates from the Perpendicular period. It has lozenge shaped panels with shields.

October 2016

Font "is made from reused sections of a massive drum pillar, quite out of scale with anything which survives, and of uncertain date.

The topmost section is probably a reused and inverted capital of which one plain volute survives"

https://historicengland.org.uk/listing/the-list/list-entry/1165122 

DB 20 May 2018

The font at St Martin's with finely carved cover.

August 2015

The octagonal font carries patterns mainly of the Decorated period.

September 2015

The octagonal font at St Peter's is from the Decorated period.

It is supported by a cluster of filleted shafts and has panels with quatrefoils around the bowl.

March 2013

This octagonal font came from the medieval church in the parish and dates from the Perpendicular period.

Each side of the octagon has three cusped arches with panel tracery above.

September 2015

"The octagonal font is C15 with shields in quatre-foils"

https://historicengland.org.uk/listing/the-list/list-entry/1261821 

DB 6 August 2018

The font at St Germain's probably dates from the 1876 restoration of the church by Charles Kirk

May 2016

St Andrew's font has an octagonal base - possibly fifteenth century - but the circular bowl is more recent and decidedly plain.

June 2017

The Norman font is drum-shaped with coupled shafts. The cover, in Jacobean style, dates from the nineteenth century.

April 2016

The octagonal font has a panelled stem and moulded bowl on large heads. There is a top band of fleurons with small heads.

September 2015

The fone is octagonal in section and dates from the Perpendicular period.

The decoration is attractive and cleanly cut. In squares on the stem are leaves, flowers and faces. The bowl is decorated with quatrefoils and surmounted by crenallation.

March 2017

The font dates from the Victorian restoration of the church. Surely it is 'one off the peg' and not designed by Teulon.

October 2016

The font is square, with chamfered angles, on nine shafts with fillets. On the bowl are two quatrefoils on each side.

July 2011

The ornate octagonal font was designed by Sir George Gilbert Scott.

August 2016

Octagonal font contemporary with the church 1875. 

DB 20 May 2018

The font cover has three tiers of painted panels depicting the birth and childhood of Christ.

It was painted by Jesse Bayes.

Drum-shaped Norman font.

The Corpus of Romanesque Sculpture gives a full description :-

http://www.crsbi.ac.uk/site/1229/ 

DB 14 April 2018

The font dates from 1860; like the rest of the church and its fittings it was designed by John Dobson.

May 2016

A simple but stylish octagonal bowl rest on four shorts shafts and an octagonal base.

March 2017

The font is of the Early English period, with trefoiled arches on colonnettes.

There four heads against the underside of the font.

July 2016

Interior view of Saint Germain's church showing the octagonal, perpendicular style font with decoration including bold diagonal leaves and flowers.

DB 21 February 2018 

St Peter's font, thirteenth century in date, is a simple tub shape with decorated frieze along the rim.

August 2017

Octagonal Perpendicular period (fifteenth century) font.

Mark Acton, 2016

Was this font salvaged from the 12th-century church destroyed in a Second World War air raid on the night of 8 May 1941?

DB 30 April 2018

The 15th century font in All Saints' church is decorated with traceried panels and emblems of the Passion. Presumably it came from the town's earlier medieval church.

July 2014

Late C19 font installed on an earlier C18 stone base.

Part of a major Victorian Restoration undertaken by the then Rector Canon Leslie-Melville.

DB 26 March 2018

"The C17 font is octagonal and decorated with shields and oak leaves"

https://historicengland.org.uk/listing/the-list/list-entry/1253411 

DB 18 June 2018

Font dates from 1881.

DB 29 May 2018

"Drum font of c.1200 with semi-circular shafts with moulded capitals supporting it, and 8 sides of drum articulated by 8 attached shafts"

https://historicengland.org.uk/listing/the-list/list-entry/1064475

Pictured during the annual South Holland Church Flower Festivals. 

DB 30 April 2010

Font with quatrefoils in the faces of the octagonal bowl and panels in Perpendicular style in the stem.

September 2017

This Saxon font in St Clement’s, Worlaby, was discarded in the early twentieth century and used as a garden tub for sixty years.

Mark Acton, 2015

"C19 octagonal stone font on tall pedestal, with ogee hood"

https://historicengland.org.uk/listing/the-list/list-entry/1147509 

DB 12 May 2018