The 12th century tub font has intersecting blank arcading on its sides.

May 2015

The circular font dates from about 1200.

The four polygonal shafts at the corners have capitals with ribbed leaves, waterleaf and crockets.

September 2013

This fine 15th century octagonal font is, according to Simon Jenkins, ‘worth crossing Lincolnshire to see’.

Images carved on the faces include: a figure playing a stringed instrument, a hart licking the leaves of a tree growing from its back, and a Pieta.

May 2009

The sides of the early 13th century font are decorated with a variety of motifs –  flowers, circles and zig-zags.

September 2014

Pevsner describes the font at Benniworth as "Neo-Norman", presumably designed by Fowler for the Victorian restoration of the church.

July 2012

The square Norman font has been recut, and has decoration of the 17th century.

September 2014

The font is octagonal in shape, Perpendicular in style, with leaves and heads against the underside and simple tracery and the Instruments of the Passion against the bowl.

May 2016

Burgh-le-Marsh, has outstanding Jacobean woodwork in the pulpit, font cover & north chapel screen.

Mark Acton, 2008

The font is a plain octagonal bowl on a square base.

September 2016

The font dates from around 1200, much the earliest survival of the medieval church on this site.

It is circular on a square base with shafts at each corner. The faces of the bowl are lightly carved with a decorative frieze.

The base has been recently restored.

October 2016

The medieval font in the church of All Hallows, Clixby.

Behind the font are pieces of a thirteenth century arch set in the wall.

May 2011

The plain cylindrical font at St Edith's.

June 2013

The large octagonal font has shields in simple panels and a bowl supported on busts.

May 2016

A simple octagonal font in Perpendicular style.

July 2011

The font in All Saints church dates from the Norman period.  It is drum shaped with intersecting tracery.

Mark Acton, 2014

The font in All Saints church dates from the Norman period.  It is drum shaped with intersecting tracery.

June 2014

The large circular tub font is early 12th century, and is decorated with blank arcading.

September 2014

The font in St Andrew's is from the Decorated period. It is a plain octagonal bowl with panelled sides.

October 2016

Of unknown origin, but presumably the base of the font pre-dates the present church (1800)?

August 2013

The octagonal font with its cusped panels and shields is Perpendicular work of the 14th or 15th century.

July 2014

The font dates from the restoration of 1926 and incorporates cable moulding dating from the late Saxon or early Norman period.

May 2016

The octagonal font decorated with quatrefoils is 14th century.

July 2014

The font, an octgonal bowl on an octagonal stem, is plain and undecorated.

May 2016

The font - a hemispherical bowl on a single baluster shaft - dates from the eighteenth century.

May 2016

The font, made of marble, has with clean lines and modest decoration. It dates from 1901.

May 2016

St Helen's octagonal font dates from the Perpendicular period. It has simple panels with low, flat ogee arches and large finials.

April 2016

A simple but well-proportioned octagonal font with recessed panels on each face of the stem.

March 2016

Marble font and carved wooden font cover, dating from the 1891 rebuilding.

May 2010

The marble font - a square pillar with octagonal bowl and painted wooden ogee-shaped cover - is contemporary with the nave of 1722.

July 2011

The font in All Saints Church, Moulton, has a relief carving depicting the Baptism of Christ.

Flanking the stem of this "bulgy bowl" (Pevsner) are the figures of Adam and Eve.

It was made in 1719 by William Tydd.

Ken Redmore 2010

The font at St Peter's dates from the Perpendicular period. It has lozenge shaped panels with shields.

October 2016

The font at St Martin's with finely carved cover.

August 2015

The octagonal font carries patterns mainly of the Decorated period.

September 2015

The octagonal font at St Peter's is from the Decorated period.

It is supported by a cluster of filleted shafts and has panels with quatrefoils around the bowl.

March 2013

This octagonal font came from the medieval church in the parish and dates from the Perpendicular period.

Each side of the octagon has three cusped arches with panel tracery above.

September 2015

The font at St Germain's probably dates from the 1876 restoration of the church by Charles Kirk

May 2016

The Norman font is drum-shaped with coupled shafts. The cover, in Jacobean style, dates from the nineteenth century.

April 2016

The octagonal font has a panelled stem and moulded bowl on large heads. There is a top band of fleurons with small heads.

September 2015

The fone is octagonal in section and dates from the Perpendicular period.

The decoration is attractive and cleanly cut. In squares on the stem are leaves, flowers and faces. The bowl is decorated with quatrefoils and surmounted by crenallation.

March 2017

The font dates from the Victorian restoration of the church. Surely it is 'one off the peg' and not designed by Teulon.

October 2016

The font is square, with chamfered angles, on nine shafts with fillets. On the bowl are two quatrefoils on each side.

July 2011

The ornate octagonal font was designed by Sir George Gilbert Scott.

August 2016

The font cover has three tiers of painted panels depicting the birth and childhood of Christ.

It was painted by Jesse Bayes.

The font dates from 1860; like the rest of the church and its fittings it was designed by John Dobson.

May 2016

The font is of the Early English period, with trefoiled arches on colonnettes.

There four heads against the underside of the font.

July 2016

Octagonal Perpendicular period (fifteenth century) font.

Mark Acton, 2016

The 15th century font in All Saints' church is decorated with traceried panels and emblems of the Passion. Presumably it came from the town's earlier medieval church.

July 2014

This Saxon font in St Clement’s, Worlaby, was discarded in the early twentieth century and used as a garden tub for sixty years.

Mark Acton, 2015