A simple tub-shaped Norman font with a carved cable band round the top.

Drawing by Mr Eagles, published in Lincolnshire Past & Present.

"Octagonal font with floriate decorated panels and fine brass mounted cover"

https://historicengland.org.uk/listing/the-list/list-entry/1359462 

Brass mounted cover not evident.

DB 23 September 2021

"Cylindrical Norman font on C19 moulded column and medieval octagonal base"

https://historicengland.org.uk/listing/the-list/list-entry/1241758 

DB 15 July 2018

"Late C15 octagonal font with panels containing heads, flowers and a shield on an octagonal support with deeply cut foliage in small panels"

https://historicengland.org.uk/listing/the-list/list-entry/1062909 

DB 3 November 2018

"C13 octagonal font on richly moulded base and plinth"

https://historicengland.org.uk/listing/the-list/list-entry/1063076 

DB 8 September 2019

The 12th century tub font has intersecting blank arcading on its sides.

May 2015

"Plain C14 octagonal font with double chamfered plinth to roll moulded octagonal stem"

https://historicengland.org.uk/listing/the-list/list-entry/1061829 

DB 21 December 2018

Portable font.

DB 8 May 2022

"C15 octagonal ashlar font"

https://historicengland.org.uk/listing/the-list/list-entry/1147719 

DB 9 September 2018

The medieval font at the rear of the church.

Valerie Hinkins, c.1980

A circular font with four corner shafts dating from the Transitional period. An unusual design.

June 2017

The circular font dates from about 1200.

The four polygonal shafts at the corners have capitals with ribbed leaves, waterleaf and crockets.

September 2013

This fine 15th century octagonal font is, according to Simon Jenkins, ‘worth crossing Lincolnshire to see’.

Images carved on the faces include: a figure playing a stringed instrument, a hart licking the leaves of a tree growing from its back, and a Pieta.

May 2009

"C20 font with quatrefoiled panels"

https://historicengland.org.uk/listing/the-list/list-entry/1359500 

DB 14 February 2019

The sides of the early 13th century font are decorated with a variety of motifs –  flowers, circles and zig-zags.

September 2014

The plain font of uncertain date.

August 2021 

"Fittings include outstanding C14 font with pierced octagonal stem enclosing a devil, and elaborately traceried bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1194848 

Kelly's Directory of Lincolnshire 1919 states

"the font is a particularly rich and beautiful specimen of Decorated work, panelled and elaborately carved" 

DB 12 November 2018

St Mary's font, which seems to have escaped the notice of Pevsner, has octagonal symmetry with carved, incised quatrefoils on each face of the bowl.

September 2018

Guide notes state "The Font is located to the side of the chancel arch. It dates from the 13th century and has rose carvings. It was relocated from the rear of the church in the 1980s".

DB 20 April 2018

A plain, squat octagonal font, probably dating from the Medieval church rather than the Georgian reconstruction.

September 2018

"C15 octagonal font with panel tracery on bowl and pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1359659 

Church Guide states that the font came from Saint Mary's Church, Horncastle when that church was restored in 1861. 

DB 3 September 2018

"Octagonal stone font in Norman style, probably reworked C19"

https://historicengland.org.uk/listing/the-list/list-entry/1298472 

DB 29 March 2018

Pevsner describes the font at Benniworth as "Neo-Norman", presumably designed by Fowler for the Victorian restoration of the church.

July 2012

‘Late C13 tub font with engaged octagonal columns, with foliated capitals and stubby supporting bases.’

September 2011

A typical font of the Perpendicular (15th century) period, octagonal in section with panel tracery.

April 2018

The nicely decorated font dates from the nineteenth century.

September 2019

Kelly's Directory of Lincolnshire 1919 states :-

"the interior was rearranged and refitted in 1868, when a new font of Caen stone was presented"

DB 12 May 2019

Octagonal font with quatrefoil and panelled decoration in the Perpendicular style.

October 2017

"C15 chalice shaped font which has a fluted octagonal bowl and base.

The upper part of the bowl is decorated with battlements above square panels containing cusped triskeles, crosses slatire and blank arcades"

https://historicengland.org.uk/listing/the-list/list-entry/1064159 

DB 12 May 2019

"Octagonal C19 carved font"

https://historicengland.org.uk/listing/the-list/list-entry/1389023 

DB 3 August 2019

"octagonal C19 font in elaborate C14 style, by Edward Welby Pugin, on large stepped stone plinth"

https://historicengland.org.uk/listing/the-list/list-entry/1388844 

DB 1 May 2019 

The square Norman font has been recut, and has decoration of the 17th century.

September 2014

Presumably an original fitting from 1910.

DB 20 February 2019

"fine C13 font"

https://historicengland.org.uk/listing/the-list/list-entry/1360529 

DB 1 December 2018

"Ornate C15 octagonal font"

https://historicengland.org.uk/listing/the-list/list-entry/1147497 

DB 2 July 2018

The font is octagonal in shape, Perpendicular in style, with leaves and heads against the underside and simple tracery and the Instruments of the Passion against the bowl.

May 2016

C19 Font.

DB 15 December 2019

"C14 octagonal font with alternating blank arches on the sides and a scalloped octagonal pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1359927 

DB 31 August 2019

Burgh-le-Marsh, has outstanding Jacobean woodwork in the pulpit, font cover & north chapel screen.

Mark Acton, 2008

"All fittings are C19 including stone altar rails, octagonal font and facetted ashlar pulpit"

https://historicengland.org.uk/listing/the-list/list-entry/1359948 

DB 9 September 2018

The font is a plain octagonal bowl on a square base.

September 2016

"C19 circular tapering tub font"

http://historicengland.org.uk/listing/the-list/list-entry/1061836?section=official-list-entry 

DB 20 June 2022

Octagonal, Perpendicular font with shields in quatrefoils and a panelled stem.  The gothic inscription around the plinth says it was given by Thomas Fitzwilliam in 1468.

Jean Howard, August 2020

A very simple octagonal font of no particular merit.

May 2018

"Font has C13 clustered columned base and C19 battered octagonal bowl with contemporary lid"

https://historicengland.org.uk/listing/the-list/list-entry/1308528 

DB 9 June 2018

"Romanesque drum font with scallop moulding above blind arcading of intersecting round arches on piers with foliate capitals; cylindrical pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1083706 

DB 17 June 2018

C14 font on a square base with an octagonal bowl.

Traceried windows in each panel. 

DB 14 March 2018 

The font dates from around 1200, much the earliest survival of the medieval church on this site.

It is circular on a square base with shafts at each corner. The faces of the bowl are lightly carved with a decorative frieze.

The base has been recently restored.

October 2016

"Font is C19 octagonal and chalice shaped"

https://historicengland.org.uk/listing/the-list/list-entry/1317320 

DB 25 April 2018

A simple font with circular profile and restrained decoration.

September 2018

"C18 stone font inscribed with 'Suffer the little children to come unto me and forbid them not.' Bowl with acorn cups, bindweed and tulip heads. Tall ornate base"

https://historicengland.org.uk/listing/the-list/list-entry/1064018?section=official-list-entry 

DB 14 May 2022

"C14 hexagonal font with ogee traceried panels, ornate gables and pinnacles"

https://historicengland.org.uk/listing/the-list/list-entry/1062912 

A brass plaque nearby states that the font was moved to its present position in December 1909. 

DB 24 September 2018

The medieval font in the church of All Hallows, Clixby.

Behind the font are pieces of a thirteenth century arch set in the wall.

May 2011

The plain cylindrical font at St Edith's.

June 2013

The drum shaped font is late Norman C11.

Metal basin dates from 1819 and was bought for 6s 6d. 

Font cover is modern 2009. 

DB 9 May 2018

The octagonal font has part fifteenth century stem with panels containing sacred symbols and floriate designs, and also twelfth century billet moulded blank arcading the panels filled with fleurons and trefoils.

Isaac Newton was baptised in this font January 1642.

March 2017

"C14 octagonal font with waterholding moulded base and panelled sides"

https://historicengland.org.uk/listing/the-list/list-entry/1215652?section=official-list-entry 

DB 23 March 2022

"The C13 font has an octagonal bowl with stop chamfers to the square base which is now supported on a free standing marble shaft added in 1893"

https://historicengland.org.uk/listing/the-list/list-entry/1309158 

DB 7 April 2019

"The C15 octagonal font with moulded top has fleurons, beneath which are shields on each face separated by foliage.

The base is moulded with stop chamfers to angles"

https://historicengland.org.uk/listing/the-list/list-entry/1063109 

DB 8 September 2019

The stem of the octagonal font at Cowbit has traceried panels and a bowl with inscribed fleurons.

September 2017

This small plain octagonal font dates from the Perpendicular period.

June 2017

A simple circular font with octagonal rim.

March 2017

The large octagonal font has shields in simple panels and a bowl supported on busts.

May 2016

Font presumably dates from 1925 when the church was completed.

DB 19 February 2019

A simple octagonal font in Perpendicular style.

July 2011

The font in All Saints church dates from the Norman period.  It is drum shaped with intersecting tracery.

Mark Acton, 2014

The font in All Saints church dates from the Norman period.  It is drum shaped with intersecting tracery.

June 2014

The large circular tub font is early 12th century, and is decorated with blank arcading.

September 2014

"The C15 octagonal font has rosettes and lion masks in quatrefoil panels and is set on an octagonal pillar decorated with rosettes"

https://historicengland.org.uk/listing/the-list/list-entry/1062370 

DB 16 September 2018

"Early English tub-shaped font"

https://historicengland.org.uk/listing/the-list/list-entry/1061958 

DB 11 August 2018

"Late C12 drum font with intersecting pointed arcade inscribed, with broad cable decorated band below, and roll moulded above"

https://historicengland.org.uk/listing/the-list/list-entry/1063688 

DB 9 September 2018

"C19 circular, bowl and stem ashlar font"

https://historicengland.org.uk/listing/the-list/list-entry/1254085 

DB 8 June 2020

"Late C19 and early C20 pews, pulpit and font"

https://historicengland.org.uk/listing/the-list/list-entry/1253449 

DB 24 June 2019

"The C15 octagonal font has fleurons and seated figures of saints in niches to both pedestal and bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1064139 

DB 23 March 2020

Marble font presumably dating from the 1874-6 rebuild.

DB 25 June 2018

C19 font at west end of church.

DB 20 May 2018

The large drum shaped font with six shafts and two-lobed arches, possibly dating from the twelfth century.

May 2018

"The square font, which was recut in C19, is decorated with blank round headed arches, and dated 1599"

https://historicengland.org.uk/listing/the-list/list-entry/1063178 

DB 6 February 2020

The font in St Andrew's is from the Decorated period. It is a plain octagonal bowl with panelled sides.

October 2016

"C14 octagonal tub font, to the sides are blind panels of reticulated tracery and fleurons.

The whole stands on a base formed from a massive section of early C12 shaft, perhaps the base of an earlier font, which is enriched with pelleted intersecting arcades"

https://historicengland.org.uk/listing/the-list/list-entry/1360562 

DB 25 April 2021

Of unknown origin, but presumably the base of the font pre-dates the present church (1800)?

August 2013

"C15 octagonal font with traceried panels and octagonal pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1146568 

Flower Festival in progress. 

DB 1 May 2010

"C18 font with fluted bowl and heavy baluster pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1062733 

DB 5 May 2018

The extremely impressive font and cover probably date from the fifteenth century, according to Pevsner, though he points out that the panels around the bowl appear to be relatively freshly cut.

This may be one of the survivors from an earlier church in the parish.

August 2018

"C15 plain octagonal font"

https://historicengland.org.uk/listing/the-list/list-entry/1063137?section=official-list-entry 

DB 7 August 2022

A very fine font and cover, both in typical fifteenth-century style.

September 2021 

Very fine late Norman font about 1180.

DB 26 March 2018

Nineteenth-century octagonal ashlar font with decorative panels"

https://historicengland.org.uk/listing/the-list/list-entry/1063663 

DB 18 February 2020

"The C13 font has a plain octagonal bowl and shafted base and has a C19 facetted wooden cover"

https://historicengland.org.uk/listing/the-list/list-entry/1063110 

DB 8 September 2019

Mid C18 Marble font.

Positioned immediately outside the sanctuary and opposite the pulpit. 

What became of the font described in Kelly's Directory of Lincolnshire 1919? "a new font of Frosterley marble was presented in 1888 as a memorial to Lady Bacon, d: 29 Nov. 1888 and two of her children"

DB 19 June 2018

The octagonal font, with quatrefoils in the principal faces of the bowl, was originally in the church at Laughton.

July 2017

"The font is a circular bowl on a circular pedestal with stiff leaf decoration to the underside of the bowl, inscribed "about 1260 and 1916". 

https://historicengland.org.uk/listing/the-list/list-entry/1165045 

DB 12 May 2019

Detail of inscription.

"ABOUT 1260 AND 1916"

DB 12 May 2019

"C14 octagonal font with cusped panels, on C19 stem"

https://historicengland.org.uk/listing/the-list/list-entry/1064425 

28 April 2019

"Large C14 octagonal font with slender rolls defining each side and St. Andrew's crosses incised on each side"

https://historicengland.org.uk/listing/the-list/list-entry/1063689 

DB 9 September 2018

"The C15 font is a plain octagonal bowl on a pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1308429 

DB 8 September 2019

C19 font and cover.

DB 11 March 2019

The large octagonal font dates from the Perpendicular period. There are various religious scenes on the stem and around the bowl.

The Gothic font cover is by Walter Topper, 1899.

March 2017

"C19 octagonal font with rosette panels and tall crocketed hood"

https://historicengland.org.uk/listing/the-list/list-entry/1063350?section=official-list-entry 

DB 15 May 2022

"C14 octagonal font with traceried panels, each divided by a mullion and each with variant forms of reticulated tracery"

https://historicengland.org.uk/listing/the-list/list-entry/1062882 

DB 11 March 2019

"C14 octagonal font with panels of traceried design"

https://historicengland.org.uk/listing/the-list/list-entry/1253290 

DB 22 March 2019 

The octagonal font with its cusped panels and shields is Perpendicular work of the 14th or 15th century.

July 2014

A large octagonal font of unusual design with deeply incised carved decoration.

June 2017

"C14 octagonal font heavily restored in early C20 with flowing cusped decoration and tall octagonal base with cusped ogee heads"

https://historicengland.org.uk/listing/the-list/list-entry/1063098 

DB 6 February 2020

This is the remarkable font moved from All Saints' church, Moorby, when it was demolished in 1982.

For further details see https://www.lincstothepast.com/Medieval-Font-Bowl--Church-of-All-Saints--Moorby/227516.record?pt=S

September 2014 

"C14 octagonal font with panelled sides on a C13 shafted base;

C18 font cover"

https://historicengland.org.uk/listing/the-list/list-entry/1379386 

DB 13 October 2018

"The fittings are all C19, including octaqonal font in C13 style with blank pointed arcades to base"

https://historicengland.org.uk/listing/the-list/list-entry/1359687 

DB 20 July 2018

Holy Trinity's font dates from the fifteenth century and is a simple octagonal shape on a shafted base.

January 2017

"C19 octagonal font with cusped panels, individual motifs and tall, cusped open-work hood"

https://historicengland.org.uk/listing/the-list/list-entry/1147298 

DB 19 May 2019

"C14 octagonal font with shaped base, fleurons to the sides of the bowl and moulded rim, also with foliage"

https://historicengland.org.uk/listing/the-list/list-entry/1215674 

DB 21 January 2019

"recut octagonal font, c1400"

https://historicengland.org.uk/listing/the-list/list-entry/1187962 

DB 26 September 2018

Norman bowl set on a modern square base.

Oak and wrought iron cover 1949. 

DB 11 April 2018

Barrel font in transitional style c1200.

DB 25 September 2018

"C15 ashlar font, the shaft decorated with blind perpendicular tracery, the octagonal bowl with 8 shields with single carved heads over"

https://historicengland.org.uk/listing/the-list/list-entry/1063676 

DB 17 July 2011

This is the octagonal Perpendicular font that must have been saved from the earlier church on the site.

Each face of the bowl carries a design of a shield on a cusped field.

Jean Howard, 30 March 2021

Jean Howard, 21 December 2021

"Fine C14 font which is of octagonal tub form with cusped and crocketted gabled arches to the panelled sides with a zone of fleurons above and 3 circular steps beneath"

https://historicengland.org.uk/listing/the-list/list-entry/1360590?section=official-list-entry 

DB 20 June 2022

St Andrew's font is circular on a square base with four corner shafts.

June 2017

"C14 octagonal font on octagonal pedestal and broached base"

https://historicengland.org.uk/listing/the-list/list-entry/1307152 

DB 3 September 2018

C20 font.

DB 9 November 2018

A relatively modern font, probably dating from the construction of the church in 1840.

September 2017

"The C13 octagonal font is on a facetted stem with square base"

https://historicengland.org.uk/listing/the-list/list-entry/1064035 

DB 12 September 2021

A plain drum-shaped Norman font with an incised rope band.

Drawing by Mr Eagles.

The font dates from the restoration of 1926 and incorporates cable moulding dating from the late Saxon or early Norman period.

May 2016

"C14 octagonal pedestal of font with traceried panels, each with trefoiled head and with angels and foliage in spandrels.

C15 octagonal font with symbols of the instruments of the Passion on each face"

https://historicengland.org.uk/listing/the-list/list-entry/1165999 

This font was where Michael Ramsey, subsequently 100th Archbishop of Canterbury, was baptised on 28th December 1904.

DB 5 May 2018

Holy Trinity Church became redundant in 1972 and has now been converted into the Trinity Centre selling antiques and collectables.

Image shows the font still hiding among the antiques.  

"Font with 8 squat shafts with ornate capitals which support 8 elongated trefoil headed arches with chip star decoratioin, spandrels rise up and merge with round bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1262706 

DB 19 December 2018

C19 octagonal stone font.

DB 19 December 2018

The Church Guide states "The font may be 700 years old" however

Pevsner describes the font as "Circular, with arcading and angle colonnettes. Probably Victorian".

The Historic England Listing has "C19 pews, pulpit and stone font".

DB 10 March 2018

The fifteenth century font is octagonal with shields in pointed quatrefoils on the faces of the bowl.

June 2017

This remarkable font has carved figures of the twelve apostles plus the Virgin and the Trinity.

September 2018

"C13 plain octagonal font with octagonal base with broaches surmounted by slender columns with crude roll bases"

https://historicengland.org.uk/listing/the-list/list-entry/1166375?section=official-list-entry 

DB 27 July 2022

"Small C18 bowl font in porch on tall, columnar pedestal with octagonal base, the bowl decorated with veined leaves"

https://historicengland.org.uk/listing/the-list/list-entry/1166375?section=official-list-entry 

DB 27 July 2022

"The octagonal font is C15 with shields in cusped panels and stem with traceried designs"

https://historicengland.org.uk/listing/the-list/list-entry/1146549 

DB 18 February 2019

"The early C13 tub font has bowl supported on round shaft with 4 attached colonettes.

Finely carved oak openwork font cover with crockets and finials"

https://historicengland.org.uk/listing/the-list/list-entry/1308771 

Font cover not evident when this image was taken.

DB 27 June 2018

The octagonal font decorated with quatrefoils is 14th century.

July 2014

C19 font.

DB 15 May 2022

The font, an octgonal bowl on an octagonal stem, is plain and undecorated.

May 2016

"Font probably 1802, a small bowl on bulbous baluster on square base"

https://historicengland.org.uk/listing/the-list/list-entry/1288189 

DB 26 January 2019

The font - a hemispherical bowl on a single baluster shaft - dates from the eighteenth century.

May 2016

C19 font decorated for the harvest festival.

DB 10 October 2018

"Octagonal font bowl on C20 base"

https://historicengland.org.uk/listing/the-list/list-entry/1083025 

Font was moved here here in 1963 from a baptistry in the south porch. 

DB 14 May 2019

The octaginal font dates from 1405.

August 2018

This is described by Pevsner as ‘a good Decorated piece with typical panels and cusped ogee curves. Friezes of heads below and above them; ogee panels on the stem also’.

"Early C14 octagonal font with reticulated traceried panels and large devil and animal heads"

https://historicengland.org.uk/listing/the-list/list-entry/1064050?section=official-list-entry 

DB 15 May 2022

Font 1869 York Stone.

DB 8 February 2020

"Font consisting of several medieval fragments; the base, a keystone of a late C12 rib vault from Kirkstead Abbey; the bowl, of Barnack stone with bulbous corners, discovered in St. Lawrence Street, Horncastle"

https://historicengland.org.uk/listing/the-list/list-entry/1252132?section=official-list-entry 

"The carved golden dove on the cover of the font once hung in St. Mary's Church, Horncastle"

https://www.achurchnearyou.com/church/15054/about-us/ 

DB 15 April 2022

DB 2 May 2018

The font, made of marble, has with clean lines and modest decoration. It dates from 1901.

May 2016

Presumably part of the C19 refit.

DB 16 September 2018

The font dates from the early 1200s but the sides of the octagonal bowl were carved later - possibly in the sixteenth century - with unidentifiable scenes and figures.

June 2017

"C19 octagonal font with tall base with traceried panels and bowl decorated with blind shields"

https://historicengland.org.uk/listing/the-list/list-entry/1063692 

In contradiction the Church Guide states "The font has a traceried stem with shields carved on its bowl and is more than 600 years old"

Pevsner states "Octagonal, Perp, with shields in quatrefoils"

DB 29 June 2019

"The tub font is early C12 with 2 orders of cable moulding around the top"

https://historicengland.org.uk/listing/the-list/list-entry/1166208?section=official-list-entry 

DB 8 May 2022

The gift of Bishop Alexander some time after 1141.

Made in Tournai, Belgium by Flemish craftsmen using Tournai Marble quarried on the banks of the river Escaut.

Decoration round the sides of the bowl consists of grotesque animals and mythical dragons representing original sin.

Steps are modern placed there in 1890 by Dean Butler.

Seven of these very expensive Tournai fonts still survive in Britain although only three of these are complete including this one.

The most famous other example is at Winchester Cathedral however there is another one in Lincoln Diocese at Thornton Curtis which originally belonged to the Knights Templar.

DB 14 March 2016

Detail of font decoration.

A horizontal crack across the bowl can be seen which might be transport damage. The font was brought from Tournai, Belgium shortly after 1141.

Alternatively it might have been damaged during the earthquake of 1185 which caused much of the cathedral to collapse. 

DB 29 August 2018

"C12 round font with interlaced arcading and renewed round stem with 4 shafts"

https://historicengland.org.uk/listing/the-list/list-entry/1388470 

DB 27 July 2019

shafted round stem (restored) are typical of the period.

March 2018

"Octagonal sandstone font with clustered stem, C19"

https://historicengland.org.uk/listing/the-list/list-entry/1388692 

DB 1 August 2019

Presumably contemporary with the church c.1940.

DB 31 July 2019

"Late C18 eggcup font with swags and square stem"

https://historicengland.org.uk/listing/the-list/list-entry/1388746 

DB 23 August 2018

"A stone font of simple chaste design was presented by the Rev John Fowler (who was the Headmaster of the local Grammar School)"

https://lincolnwigfordhistory.files.wordpress.com/2014/04/complete-mike-garrett-dissertation-st-botolph-by-bargate-church.pdf 

Probably of a similar date 1903 to the pulpit.

In 2018 Saint Botolph became the Orthodox Church of St Basil the Great & St Paisios. 

DB 8 September 2018

Positioned near the southern entrance to the church.

DB 15 January 2018

"C15 buttressed octagonal font"

https://historicengland.org.uk/listing/the-list/list-entry/1388597 

DB 18 October 2018 

"C19 ... font with mask corbels".

https://historicengland.org.uk/listing/the-list/list-entry/1388540 

DB 26 August 2019

Octagonal C19 font.

Moved to second bay of north aisle in 2002. 

DB 8 November 2018

"C11 tub font with blind arcading, on a renewed stem"

https://historicengland.org.uk/listing/the-list/list-entry/1388599 

DB 8 September 2018

C19 round font on clustered stem.

https://historicengland.org.uk/listing/the-list/list-entry/1388534?section=official-list-entry 

DB 25 April 2022

"the font is a recut of the original late C13 font and includes the original base.

It comprises an octagonal bowl with traceried panels on a square pedestal with engaged columns at the angles, on a stepped base"

https://historicengland.org.uk/listing/the-list/list-entry/1166212

DB 12 May 2018

C19 font.

DB 8 April 2019

The simple octagonal font probably dates from the Perpendicular 15th century period. Fitted steps indicate its unusual height.

Faces of the bowl carry faded lettering.

March 2017

"C12 octagonal stone font on short polygonal pillars with polygonal capitals with C12 stiff leaf capitals set above"

https://historicengland.org.uk/listing/the-list/list-entry/1062891 

DB 31 October 2018

Pevsner states

"1867 by G.F.Bodley, alabaster with crocketed ogees around the stem". 

DB 12 September 2018

St James has two fonts. Pevsner states that this font was

"Found in a garden. Octagonal, Perp, with a panelled stem and a leaf frieze on the bowl"

DB 12 September 2018

Low Toynton's font can now be found in the Church of All Hallows, Clixby.

"Font is C15 and imported from the church at Low Toynton (Lincs.). Octagonal in shape with in arcades round the stem figures of saints. The bowl also octagonal, and in the square side panels are angels, a Tudor rose, other flowers and pairs of figures"

https://historicengland.org.uk/listing/the-list/list-entry/1359798

The entry in White's Directory of Lincolnshire 1856 for Low Toynton states :-

"The Church (St. Peter) was rebuilt in 1811, and has a very curiously sculptured font"

DB 19 May 2019 

"The C15 font has a plain octagonal bowl on a pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1063122 

DB 8 September 2019

An interesting font of the fifteenth century, though sadly neglected in this church shortly before it was declared redundant.

Four men are depicted on the stem of the font and four angels on the bowl.

Naomi Field, 1995

Decorated style octagonal ashlar font 1848.

https://historicengland.org.uk/listing/the-list/list-entry/1194836 

DB 4 May 2019

St Helen's octagonal font dates from the Perpendicular period. It has simple panels with low, flat ogee arches and large finials.

April 2016

"C14 plain octagonal font with moulded base"

https://historicengland.org.uk/listing/the-list/list-entry/1063009 

DB 5 September 2021

"C19 tall octagonal font with hood"

https://historicengland.org.uk/listing/the-list/list-entry/1359971 

DB 22 October 2018

"Recut C15 octagonal font with cusped shields and quatrelobes to the sides, and trefoils on the base"

https://historicengland.org.uk/listing/the-list/list-entry/1165217 

DB 7 September 2019

Modern font 1963 made from polished Ancaster stone.

Designed by L.H. Bond and made by Mr George Brown a local stonemason.

DB 1 June 2019

"C15 plain octagonal font"

https://historicengland.org.uk/listing/the-list/list-entry/1063124 

DB 8 September 2019

"C15 plain octagonal font with C19 suspended cover"

https://historicengland.org.uk/listing/the-list/list-entry/1063124 

DB 8 September 2019

A simple but well-proportioned octagonal font with recessed panels on each face of the stem.

March 2016

"fine stone font"

https://historicengland.org.uk/listing/the-list/list-entry/1205493 

Church built 1876.

DB 7 May 2019

C19 font in C13 style.

https://historicengland.org.uk/listing/the-list/list-entry/1146950 

Kelly's Directory of Lincolnshire 1919 states "the font was presented in 1851 by the late J.Wadham Floyer esq. of Martin Hall"

DB 24 August 2019

"C14 octagonal font with ogee panels to the bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1166344 

DB 9 November 2018

The date of the church’s construction is shown in relief on the rainwater head along the side of nave.

September 2019

"In the chancel is a C19 octagonal font with quatrefoils removed from the demolished Church of St. Pauls"

https://historicengland.org.uk/listing/the-list/list-entry/1166238?section=official-list-entry 

DB 8 May 2022

A simple and unremarkable font, probably of the fifteenth century.

December 2017

A large octogonal font dating from the 1400s.

October 2017

Marble font and carved wooden font cover, dating from the 1891 rebuilding.

May 2010

"Very fine, large black Frosterly marble font with an octagonal bowl on an octagonal stem"

https://historicengland.org.uk/listing/the-list/list-entry/1063516?section=official-list-entry 

DB 15 May 2022

The marble font - a square pillar with octagonal bowl and painted wooden ogee-shaped cover - is contemporary with the nave of 1722.

July 2011

The font in All Saints Church, Moulton, has a relief carving depicting the Baptism of Christ.

Flanking the stem of this "bulgy bowl" (Pevsner) are the figures of Adam and Eve.

It was made in 1719 by William Tydd.

Ken Redmore 2010

The font dates from c.1300 and, like many, is octagonal in shape. It has attractive tracery on the side panels.

September 2018

Smaller font in the foreground is Norman.

Baptistry under the tower contains a font exhibited in The Great Exhibition of 1851. This was subsequently donated to the church in 1876 by Charles Kirk.

DB 19 March 2018 

Closer view of the elaborate font by Chatles Kirk Junior, 1862.

November 2017

A relatively modern font (contemporary with the 1874 Fowler work?) with painted decoration.

April 2017

"Square Caen stone font on green marble columns"

https://historicengland.org.uk/listing/the-list/list-entry/1061911 

DB 7 December 2019

"The font is late C12 in the shape of a mortar with 4 vertical bands, one of which terminates in a shield; it stands on a C19 base"

https://historicengland.org.uk/listing/the-list/list-entry/1064189 

Pevsner suggests it is a re-used kitchen mortar. 

DB 20 May 2018

Plain font dating from C12. 

DB 26 March 2018

"Font is C18, an octagonal baluster shape"

https://historicengland.org.uk/listing/the-list/list-entry/1064070?section=official-list-entry 

DB 4 August 2022

"Plain C13 octagonal font on tall octagonal base"

https://historicengland.org.uk/listing/the-list/list-entry/1261895 

DB 8 September 2019

Church fittings including the font presumably date to 1858 when the church was rebuilt.

DB 17 January 2019

Portable font. 

DB 25 May 2019

The font at St Peter's dates from the Perpendicular period. It has lozenge shaped panels with shields.

October 2016

A simple tub-shaped Norman font with a carved cable band round the top.

Drawing by Mr Eagles, published in Lincolnshire Past & Present

"C14 font which is octagonal, with elaborate stem with clustered chamfered shafts with pyramidal stepped bases"

https://historicengland.org.uk/listing/the-list/list-entry/1359705 

DB 26 October 2018

Font "is made from reused sections of a massive drum pillar, quite out of scale with anything which survives, and of uncertain date.

The topmost section is probably a reused and inverted capital of which one plain volute survives"

https://historicengland.org.uk/listing/the-list/list-entry/1165122 

DB 20 May 2018

The font at St Martin's with finely carved cover.

August 2015

Octagonal font probably contemporary with the Victorian church.

January 2018

The octagonal font carries patterns mainly of the Decorated period.

September 2015

"The font is a C12 circular tub on octagonal base"

https://historicengland.org.uk/listing/the-list/list-entry/1253286 

DB 2 March 2020

"Font dated 1879"

https://historicengland.org.uk/listing/the-list/list-entry/1317137 

DB 12 May 2019

"C14 octagonal font with quatrefoil panels containing shields and crosses to the sides of the bowl and buttressed stem with quatrefoils and fleurons"

https://historicengland.org.uk/listing/the-list/list-entry/1064433 

Flower festival in progress. 

DB 28 April 2019

C19 font.

DB 14 February 2019

"Polygonal C14 font with tracery and foliage on the tapering bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1360452 

DB 18 November 2019

The octagonal font at St Peter's is from the Decorated period.

It is supported by a cluster of filleted shafts and has panels with quatrefoils around the bowl.

March 2013

"Font with quatrefoiled panels of 1902"

https://historicengland.org.uk/listing/the-list/list-entry/1308352?section=official-list-entry 

DB 8 May 2022

The rather squat but highly decorated Victorian font.

July 2018

"The disappointing font comprises a section of reused medieval moulded shaft with a cushion capital top"

https://historicengland.org.uk/listing/the-list/list-entry/1215306 

On the other hand an explanatory text in the church states :-

"The Norman font was probably a pillar piscina from the monastery"

Located at the west end beneath the tower. 

DB 19 April 2019

Presumably dating from the 1868 restoration.

DB 19 May 2019

This octagonal font came from the medieval church in the parish and dates from the Perpendicular period.

Each side of the octagon has three cusped arches with panel tracery above.

September 2015

"The octagonal font is C15 with shields in quatre-foils"

https://historicengland.org.uk/listing/the-list/list-entry/1261821 

DB 6 August 2018

"The C12 circular font has a fine C16 wooden cover"

https://historicengland.org.uk/listing/the-list/list-entry/1308751 

DB 24 August 2019

"C15 octagonal ashlar bowl and stem font, with quatrefoil panels containing alternate shields and roses"

https://historicengland.org.uk/listing/the-list/list-entry/1261375 

DB 21 August 2019

Small octagonal font with deorative panels.

September 2018

Jean Howard, 2 March 2022

Simple drum-shaped font on an octagonal base.

April 2018

"C15 octagonal bowl and stem with cusped shields to the sides of the bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1359490 

DB 10 December 2018

"C15 octagonal bowl and stem with cusped shields to the sides of the bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1359490 

DB 10 December 2018

https://historicengland.org.uk/listing/the-list/list-entry/1205227 

DB 9 September 2018

C19 font.

DB 19 November 2020

Positioned near the door from the south porch. 

"Plain C19 octagonal font on shafted column base"

https://historicengland.org.uk/listing/the-list/list-entry/1083718 

DB 14 June 2019

The font at St Germain's probably dates from the 1876 restoration of the church by Charles Kirk

May 2016

"Plain tapering circular tub font with oversize early C19 scumbled softwood octagonal lid"

https://historicengland.org.uk/listing/the-list/list-entry/1308448?section=official-listing 

DB 30 January 2022

St Andrew's font has an octagonal base - possibly fifteenth century - but the circular bowl is more recent and decidedly plain.

June 2017

"The font is late C18, an octagonal bowl on an octagonal pedestal with a square base"

https://historicengland.org.uk/listing/the-list/list-entry/1063371 

DB 19 May 2019

"octagonal C11 scalloped font"

https://historicengland.org.uk/listing/the-list/list-entry/1236949 

DB 6 February 2019 

"Probably C16 octagonal ashlar font.

The base, decorated with stylised fleuron, is surmounted by 8 small piers which support the bowl decorated with intersecting tracery and stylised fleuron"

https://historicengland.org.uk/listing/the-list/list-entry/1063533 

New font cover dedicated in 2008. 

DB 3 August 2019

The Norman font is drum-shaped with coupled shafts. The cover, in Jacobean style, dates from the nineteenth century.

April 2016

A second view of the font showing the elegant font cover.

Church Guide Notes by W.H.Collin state "This cover was made in 1891. Carved into it are words from the Book of Wisdom, "SUFFER LITTLE CHILDREN TO COME UNTO ME". Also carved on the cover is "1891 BORN OF WATER AND OF THE SPIRIT". 

Pevsner comments "FONT COVER. Victorian in imitation of Jacobean"

DB 20 August 2018

"Circular C19 chalice shaped font, decorated with 4 roundels depicting scenes from the life of Christ"

https://historicengland.org.uk/listing/the-list/list-entry/1359515?section=official-list-entry 

DB 7 June 2022

The octagonal font has a panelled stem and moulded bowl on large heads. There is a top band of fleurons with small heads.

September 2015

The fone is octagonal in section and dates from the Perpendicular period.

The decoration is attractive and cleanly cut. In squares on the stem are leaves, flowers and faces. The bowl is decorated with quatrefoils and surmounted by crenallation.

March 2017

The font dates from the nineteenth century.

In the background is part of the north arcade. The piers include detached shafts and have capitals with stiff-leaf decoration.

November 2018

"Decorated font, much repaired"

https://historicengland.org.uk/listing/the-list/list-entry/1062157 

DB 20 June 2018

Snarford's octagonal font, in Perpendicular style, dates from the fifteenth century. Four of the shields on the sides relate to Christ's Passion.

May 2018

The font dates from the Victorian restoration of the church. Surely it is 'one off the peg' and not designed by Teulon.

October 2016

C19 font.

DB 16 August 2020

"Fine font with panelled octagonal traceried stem, the bowl has angel supporters and on the sides are shields with Symbols of the Passion, and the Virgin Mary set in cusped roundels"

https://historicengland.org.uk/listing/the-list/list-entry/1168707 

DB 14 August 2018

The font is square, with chamfered angles, on nine shafts with fillets. On the bowl are two quatrefoils on each side.

July 2011

Stated in an appeal dated 1897 that :-

"The old Church Font found in the Vicarage Garden is being reworked up and will be placed in the proposed building"

Presumably this is the font from Bardney Vicarage Garden.

DB 20 March 2019

The ornate octagonal font was designed by Sir George Gilbert Scott.

August 2016

Octagonal font contemporary with the church 1875. 

DB 20 May 2018

A slender black marble column supports an octagonal bowl.

Jean Howard, 12 March 2022

A plain octagonal font at the west end of the nave.

DB 2020

In the south west corner of the nave is a fifteenth-century octagonal Perpendicular font decorated on each face with a blank shield in a quatrefoil.

This was brought from the old church in the park. That building was partly demolished with just the chancel retained as a mausoleum which fell into disrepair. It is now secured and details can be viewed at:-

https://www.crsbi.ac.uk/view-item?i=2452

Jean Howard, November 2020

Each of the eight panels surrounding the font are decorated with quatrefoils.

May 2018

"C19 octagonal font with blind cusped tracery"

https://historicengland.org.uk/listing/the-list/list-entry/1063538 

DB 1 September 2019

The font cover has three tiers of painted panels depicting the birth and childhood of Christ.

It was painted by Jesse Bayes.

The octagonal font is thirteenth century in date. There ais a variety of motifs on the sides of the bowl.

May 2018

Detail of the font. The green man's head.

May 2018

Drum-shaped Norman font.

The Corpus of Romanesque Sculpture gives a full description :-

http://www.crsbi.ac.uk/site/1229/ 

DB 14 April 2018

C19 tub font.

DB 24 April 2019

An octagonal font of similar style to many nearby; it has a variety of tracery patterns decorating the faces of the bowl.

Jean Howard, 23 July 2021

"C19 octagonal font"

https://historicengland.org.uk/listing/the-list/list-entry/1360092 

DB 28 August 2018 

The font dates from 1860; like the rest of the church and its fittings it was designed by John Dobson.

May 2016

"Early C15 octagonal font with quatrelobes with shields and fleurons to sides, buttressed stem with niches and further quatrelobes"

https://historicengland.org.uk/listing/the-list/list-entry/1064403 

DB 28 April 2019

The octagonal font - a nineteenth-century confection - is supported by four marble pillars.

July 2019

A plain and practical font.

Jean Howard, 17 March 2021

Circular Victorian font.

April 2018

"C14 octagonal ashlar font has continuous panels of fleurons to the sides, ball flowers to the lower chamfer and an engaged shafted base with annular capitals"

https://historicengland.org.uk/listing/the-list/list-entry/1061820?section=official-list-entry 

DB 20 June 2022

A plain C12th drum font.

Jean Howard, 27 January 2021

A simple but stylish octagonal bowl rest on four shorts shafts and an octagonal base.

March 2017

"Plain octagonal C13 font on 4 short octagonal legs with narrow chamfered stem having fine conical cover with C14 crockets, pinnacles and central knop"

https://historicengland.org.uk/listing/the-list/list-entry/1360195 

DB 17 November 2018

Located beneath the tower.

DB 26 May 2019

"The font is octagonal with swept base having traceried panel sides. The bowl is chamfered below and plain"

https://historicengland.org.uk/listing/the-list/list-entry/1215320 

DB 4 November 2021

"C12 octagonal stone font with C19 base"

https://historicengland.org.uk/listing/the-list/list-entry/1063475 

DB 22 December 2019

C19 font.

DB 26 August 2018

"C14 octagonal font with foliate motifs on lower side and with C20 pedestal of 8 shafts"

https://historicengland.org.uk/listing/the-list/list-entry/1205243 

DB 18 January 2020

Presumably dating from Fowler's 1879 rebuild.

DB 31 August 2019

C20 font at the west end.

DB 15 April 2022

Presumably dating from the 1912 rebuild.

DB 2 April 2019

The font is of the Early English period, with trefoiled arches on colonnettes.

There four heads against the underside of the font.

July 2016

"Fine 15C octagonal font"

https://historicengland.org.uk/listing/the-list/list-entry/1061972 

Perpendicular style font with decoration around the bowl including bold diagonal leaves and flowers also a small figure with outstretched arms.

DB 16 June 2018

St Peter's font, thirteenth century in date, is a simple tub shape with decorated frieze along the rim.

August 2017

‘Fifteenth-century font with octagonal bowl, the panels decorated with angels holding shields.’

July 2019  

Octagonal Perpendicular period (fifteenth century) font.

Mark Acton, 2016

"recut C14 font, with drain"

https://historicengland.org.uk/listing/the-list/list-entry/1063086 

DB 8 September 2019

Was this font salvaged from the 12th-century church destroyed in a Second World War air raid on the night of 8 May 1941?

DB 30 April 2018

The 15th century font in All Saints' church is decorated with traceried panels and emblems of the Passion. Presumably it came from the town's earlier medieval church.

July 2014

C19 ashlar octagonal bowl and stem font.

https://historicengland.org.uk/listing/the-list/list-entry/1061750 

DB 10 July 2019

"C13 drum font much defaced, with angle shafts originally up the bowl"

https://historicengland.org.uk/listing/the-list/list-entry/1063484 

(Guide notes available in the church state that the original font is now in St Mary's) 

DB 22 December 2019

St Mary's font, with its unusual fluted stem, probably dates from the seventeenth century.

May 2018

Late C19 font installed on an earlier C18 stone base.

Part of a major Victorian Restoration undertaken by the then Rector Canon Leslie-Melville.

DB 26 March 2018

"The C17 font is octagonal and decorated with shields and oak leaves"

https://historicengland.org.uk/listing/the-list/list-entry/1253411 

DB 18 June 2018

Font dates from 1881.

DB 29 May 2018

Kelly's Directory 1930 notes "the original 14th century font basin was discovered in a field in 1912, in use as a cattle trough ; it was replaced, mounted on a shaft and base of appropriate design and re-dedicated in 1914"

DB 6 July 2022

A relatively plain fourteenth century octagonal font with each face of the bowl bearing a blank shield within a quatrefoil. Sadly, the bowl has been quite severely cracked.

Jean Howard, 8 October 2021

"C15 octagonal font with cusped traceried panels on bowl and pedestal"

https://historicengland.org.uk/listing/the-list/list-entry/1252247 

DB 31 August 2019

At the west end of the south aisle. 

"Early C14 font, standing on an octagonal base with blank pointed arches, fleuron frieze to base of octagonal bowl and heraldic shields to the sides and chevrons to the angles"

https://historicengland.org.uk/listing/the-list/list-entry/1165761 

Kelly's Directory of Lincolnshire 1919 states "the octagonal font is a finely executed work, with panelled sides, exhibiting the arms of the Wake and other families; on the panel adjoining that which bears the Wake arms is a shield of arms believed to be that of the Black Prince, who married the heiress of the Wake lands"

DB 31 August 2020

"Early C12 font with beaded interesecting arcade and scalloped capitals"

https://historicengland.org.uk/listing/the-list/list-entry/1147481 

Viewed through a partly broken window. 

DB 18 April 2019

"Drum font of c.1200 with semi-circular shafts with moulded capitals supporting it, and 8 sides of drum articulated by 8 attached shafts"

https://historicengland.org.uk/listing/the-list/list-entry/1064475

Pictured during the annual South Holland Church Flower Festivals. 

DB 30 April 2010

Font with quatrefoils in the faces of the octagonal bowl and panels in Perpendicular style in the stem.

September 2017

The font dates from c.1250 and was partially re-cut in the seventeenth century. It is supported by four columns with spiral decoration and central larger plain shaft.

The octagonal bowl of the font has been re-cut with flutings.

August 2010

"C14 octagonal font bowl set on a later base"

https://historicengland.org.uk/listing/the-list/list-entry/1359477 

DB 19 May 2019

"C14 octagonal font having trefoils to the sides, human head masks and moulded rim with fleurons"

https://historicengland.org.uk/listing/the-list/list-entry/1287679 

Local signage states that "The font is thought to date from the reign of King John and has survived the demolition of an earlier church or churches". 

DB 12 September 2021

"C12 drum font with small pointed arches on coupled shafts"

https://historicengland.org.uk/listing/the-list/list-entry/1146826?section=official-list-entry 

DB 15 May 2022

An octagonal font dating from fourteenth century and clearly retained from the earlier church on the site.

Jean Howard, December 2020

Located at the west end of the nave near entrance from the north porch.

Presumably contemporary with the church which was built in 1893.

(St Martin's Church, Owston Ferry seems to have the original font from St Andrew's Church, Woodhall Spa)

DB 19 September 2018

This Saxon font in St Clement’s, Worlaby, was discarded in the early twentieth century and used as a garden tub for sixty years.

Mark Acton, 2015

The font in current use for baptisms dates from the time of the church's restoration in the mid-Victorian period.

April 2018

"C19 octagonal stone font on tall pedestal, with ogee hood"

https://historicengland.org.uk/listing/the-list/list-entry/1147509 

DB 12 May 2018

This very weathered fourteenth century octagonal bowl is all that now remains of St Leodegar’s original font.

Jean Howard, July 2021